Traveling with a zoom audio recorder on a plane
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The company’s top-of-the-line video model is the Lumix DC-S1H, which features a full-frame sensor, built-in stabilization, and the ability to capture 6K video at 24 frames per second.Ĭamcorders also come in a wide range of capabilities and price points, but in general, you get a form factor and other features geared specifically for video: It was one of the first digital cameras that could record 4K video with 10-bit 4:2:2 sampling. This is a meaningless spec for consumers, but it's one that makes life much easier for video professionals who need to do color correction or green-screen compositing post-production.
TRAVELING WITH A ZOOM AUDIO RECORDER ON A PLANE PROFESSIONAL
The Lumix DC-GH5, another Four Thirds camera, is more for professional videographers. The cheaper kit includes a 14-42mm zoom lens, or you can get the more expensive version with a 14-140mm zoom. The camera itself doesn’t have image stabilization, but you can buy it with one of two lenses that do. For years, the company has been making its mark with video-capable mirrorless cameras based on the Four Thirds system.Ī good entry-level choice is the Lumix DMC-G7, which captures 4K video at up to 30 frames per second and has a microphone port. One camera manufacturer that puts a big emphasis on video is Panasonic.
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But in general, manufacturers tend to put the best video features in their mirrorless models. In mirrorless cameras, AF is incorporated into the sensor that captures the image.Ĭanon’s DSLRs have a feature called Dual Pixel AF that implements AF directly on the main image sensor in addition to the AF sensor. Traditional DSLRs use a phase-detection AF sensor that’s part of the mirroring system. Again, this is related to the mechanism that enables the optical viewfinder. But when you shoot a video, you have to rely on the live preview screen or an electronic viewfinder to see what’s happening in front of the lens.Ī bigger problem is that the AF systems in many DSLRs are ill-suited for live video. This disables the viewfinder, which isn’t a big deal with still images because it happens in a fraction of a second. When you take the picture-or shoot video-the mirror flips up to allow the light to pass through to the image sensor. But it requires a relatively bulky mirror-and-prism system that works like a periscope, reflecting light from the lens into the viewfinder. The viewfinder lets you see what the lens sees before you take the shot. The problem boils down to the optical viewfinder, which is a key selling point for DSLRs. Why is that? Though DSLRs can shoot video, their design isn’t really geared for it. In recent years, mirrorless cameras have largely caught up to DSLRs in terms of still image quality, but they’ve always had an advantage in video. DSLR Cameras: Which Is Better?ĭon’t expect to see Digital Single-Lens Reflex (DSLR) models on any list of the top digital cameras for videography.
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Most camcorders do a lousy job shooting photos. Or you can go wide, where everything is in focus. With different lenses and camera settings, you can shoot with a shallow depth of field, where only the subject is sharp. Depending on the project, you can outfit your camera with a wide-angle or telephoto lens, or choose zoom lenses with varying focal length ranges. The ability to use interchangeable lenses.The image sensors in camcorders tend to be far smaller than those in digital cameras, which can compromise quality, especially in low-light environments. How Digital Cameras Stack Up to CamcordersĪ digital camera that checks all or most of these boxes will offer several advantages over camcorders: At the top of the heap are full-frame cameras with sensors roughly the size of 35mm film (36x24mm). Many pocket cameras have 1-inch sensors, but consumer-grade models with interchangeable lenses typically have a Four Thirds or APS-C sensor.Ī Four Thirds sensor is about twice the size of a 1-inch sensor, and APS-C is larger still. You get sharper images, less noise, and better low-light performance. All other things being equal, a larger sensor equates to larger pixels that can collect more light. That last spec is a key consideration in any digital camera. What kind of autofocus (AF) does it have? In general, phase-detection AF is preferable to the slower contrast-detection AF, especially if you want to capture scenes with lots of action.
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See our guide to the best shotgun mics for DSLR and mirrorless cameras for more information.ĭoes it have image stabilization, either in the camera itself or in the lens?ĭoes it have a flip screen? This is important for vloggers who want to see themselves while shooting. As with many consumer electronics, digital cameras come in a wide array of prices, specs, and features.ĭoes it have a microphone port? This is essential if you don’t want to rely on the built-in mic.